I'm writing a few hours after the ordeal that is (the amazing) Grave of the Fireflies - involving a young teenager and his impotent effort to look after his little sister in WWII Japan - and about a month after the termination of my National Service job in a special needs kindergarten - involving the abrupt desertion of 8 children who'd gotten very attached to me after barely two months with them.
These two things are doubtless incomparable in terms of the circumstances and the actual trauma suffered, but they share a common theme, and both seem to have similarly hit me rather harder than the substantial forcefulness with which they usually do or would have done most people. It messes me up from the inside out.
I'd make a pretty shitty dad at the moment, and that's upsetting, as is the less hypothetical letting down of kids who did and still do need me, but it's not that upsetting. I can recognise and accept my extenuating circumstances even if nobody else does, and the fact is people do, so it's not really, or at least not overwhelmingly, guilt for this situation.
It touches on something. It strikes some super-sensitive chord somewhere. Something to do with protecting children, or being childish, and maybe that's the same thing, but something to do with children anyway.
Protecting childishness, I think, in yourself as well as in others. Protecting childness, if you like. The quality of not feeling like you're supposed to appease others, or feeling it but not attributing much significance to it, not internalising the repression.
People talk about and idolise childhood as this innocent and carefree time, but as anybody who's ever actually met a child can testify, this is blatantly untrue. They are conniving bastards and highly strung prima donnas. We look after them and envy them not because they're sweet and serene, but because they're vibrantly, violently alive, with an aliveness that renders them even more vulnerable than they'd already be with their inability to fend for themselves, to organise their world.
Vulnerability provokes empathy, or at least it does with decent people. The more vulnerable the person or situation, the more compassionate the empathiser.
I had a thought the other day. I noticed that when I'm speaking to people, mainly when it's strangers I'm exchanging more than businesslike formalities with, a benevolent, maternal smile and expression transform their face and body language, even if they're men. At the time I was insulted - it made me feel like a puppy - but suddenly I'm thinking that maybe this is part and parcel of being alive. Just like some will look at you contemptuously, others will look at you with a king of sweet condescension. It ought to be worth it still.
Where am I going with this? I think I do empathise and respect and promote vulnerability in others. I will maintain, despite knowing at least one person disagrees with me, that I am excellent at receiving balloons. I think what I'm trying to tell myself right now is that I'm atrocious at receiving my own, even before they're offered for anybody else's consideration. I have no indulgence for my vulnerabilities at all. I'm ruthless with them. If anybody acknowledges them I feel like a puppy.
I show no compassion to myself. There's lots of love, and goodwill, and patience, but there's no acceptance. No indication that it's okay to either run in the rye or fantasise about catching children in it - just a cold, judicious, paternal guidance. I focus all my time on being an adult and almost none of it on being a child, an eventuality I remember warning myself against early on in this blog.
Many will say that is natural for a man beginning his 20s, but I do genuinely see both "grown-up" and "child" as institutions rather than stages of development, and I'm going to keep trying for both. The fact is I encourage both in others - I just need to be consistent and include myself.
Sometimes something is good and worthwhile just because it's important to somebody. That somebody's allowed to be me.
Showing posts with label childhood. Show all posts
Showing posts with label childhood. Show all posts
Friday, 12 March 2010
Monday, 15 February 2010
Autonomy
My philosophy (pretty much conclusively, actually) is that if you're not busy doing or saying something important, you should be concentrating your efforts on listening, and learning. So I'm always "learning", even when I'm supposed to be busy doing things. And I say things more or less by accident, except for when I force myself to write, like here.
This is going to be one of those tangential posts I warned you about in the title of this blog and in the introductory post but then never really delivered. I am a total mess, and I would like to now try and explore this mess, in as unmethodical a way as possible.
William Wordsworth wrote a poem once. It was called Ruth, about a six-year-old of the same name, and a stanza from it got me focused for a while the other day on what was upsetting me:
"Beneath her father's roof, alone
She seemed to live; her thoughts her own;
Herself her own delight;
Pleased with herself, nor sad, nor gay;
And, passing thus the live-long day,
She grew to woman's height."
I like the fact her whole childhood is spent in this reclusive independence - that she never recovers from the insult (her mother's just died and been replaced); I like the matter-of-fact way in which it's presented. To me she's a heroic figure, a little reminiscent of Vincent (bottom of page) in terms of her blunt unwillingness to "accept" reality at the price of rejecting parts of herself.
Edgar Allan Poe himself (who features prominently in Vincent) seems a very good example of what I'm talking about. His claim to fame was, apparently, his mastery of the recurring themes of the macabre, mystery, and melancholy in his stories. But, read today, his terror tales are quaint, his whodunnits frankly stupid, and his stories of human misery, though not exactly unaffecting, more noteworthy for their general grandiloquence. Or maybe that's just me.
In any case, he gives the distinct impression of a young boy very excited about his ability to use big words, show off his deductive skills and tell scary stories over the campfire with the flashlight half under his chin. In other words, he gives enthusiastic voice to what most of us adults only secretly want to do, both by what he conveys and by what he occupies his time with, much like Vincent, and Ruth.
These people, more often fictional than not, truly inspire me. And the thing is, it's not so obvious that I shouldn't be one of them. I was a prime example of everything this represents until about the age of 14. I had something of a crisis of identity when I discovered that other people and my effect on them are part of what makes me who I am, and have spent most of my time since trying anxiously to make sure I notice people, and their reactions to me, hence the "listening" I mentioned earlier.
But the truth is I can't do it. I don't particularly care about "people". I'm not talking about misanthropy - or I guess if the previous sentence was misread the way I mean I'd actually be implying sociopathy, so not that either - but about the level of attention and place in my heart for the reactions of the anonymous collective, of strangers, of "the general public", of any group. I couldn't give a flying fuck. It's probably inborn. I can't help not giving two shits about facile appraisals of my character and conduct. That's why it never makes any impact no matter how positive and is so extraordinarily simple to deflect when it isn't. It's all just a mental construct, with no impetus of its own, kept alive purely on my stupidity.
The idea behind writing this blog was to inch in the direction of presenting myself - of introducing myself, really - through what makes me who I am rather than what makes me easy for other people to deal with. I think the mistake was in the decision to go in inches. It's not a question of balance, like people keep telling me. You don't divide your life between being alive and pleasing other people. The situations that require outright fakery are rare and extreme. A lot of the time you'll obscure the truth or embellish it because it seems useful to get a certain reaction out of people, but it's almost never something you owe them. You do and say what you want and refrain from doing or saying that which you don't.
Basically, fuck everybody.
This is going to be one of those tangential posts I warned you about in the title of this blog and in the introductory post but then never really delivered. I am a total mess, and I would like to now try and explore this mess, in as unmethodical a way as possible.
William Wordsworth wrote a poem once. It was called Ruth, about a six-year-old of the same name, and a stanza from it got me focused for a while the other day on what was upsetting me:
"Beneath her father's roof, alone
She seemed to live; her thoughts her own;
Herself her own delight;
Pleased with herself, nor sad, nor gay;
And, passing thus the live-long day,
She grew to woman's height."
I like the fact her whole childhood is spent in this reclusive independence - that she never recovers from the insult (her mother's just died and been replaced); I like the matter-of-fact way in which it's presented. To me she's a heroic figure, a little reminiscent of Vincent (bottom of page) in terms of her blunt unwillingness to "accept" reality at the price of rejecting parts of herself.
Edgar Allan Poe himself (who features prominently in Vincent) seems a very good example of what I'm talking about. His claim to fame was, apparently, his mastery of the recurring themes of the macabre, mystery, and melancholy in his stories. But, read today, his terror tales are quaint, his whodunnits frankly stupid, and his stories of human misery, though not exactly unaffecting, more noteworthy for their general grandiloquence. Or maybe that's just me.
In any case, he gives the distinct impression of a young boy very excited about his ability to use big words, show off his deductive skills and tell scary stories over the campfire with the flashlight half under his chin. In other words, he gives enthusiastic voice to what most of us adults only secretly want to do, both by what he conveys and by what he occupies his time with, much like Vincent, and Ruth.
These people, more often fictional than not, truly inspire me. And the thing is, it's not so obvious that I shouldn't be one of them. I was a prime example of everything this represents until about the age of 14. I had something of a crisis of identity when I discovered that other people and my effect on them are part of what makes me who I am, and have spent most of my time since trying anxiously to make sure I notice people, and their reactions to me, hence the "listening" I mentioned earlier.
But the truth is I can't do it. I don't particularly care about "people". I'm not talking about misanthropy - or I guess if the previous sentence was misread the way I mean I'd actually be implying sociopathy, so not that either - but about the level of attention and place in my heart for the reactions of the anonymous collective, of strangers, of "the general public", of any group. I couldn't give a flying fuck. It's probably inborn. I can't help not giving two shits about facile appraisals of my character and conduct. That's why it never makes any impact no matter how positive and is so extraordinarily simple to deflect when it isn't. It's all just a mental construct, with no impetus of its own, kept alive purely on my stupidity.
The idea behind writing this blog was to inch in the direction of presenting myself - of introducing myself, really - through what makes me who I am rather than what makes me easy for other people to deal with. I think the mistake was in the decision to go in inches. It's not a question of balance, like people keep telling me. You don't divide your life between being alive and pleasing other people. The situations that require outright fakery are rare and extreme. A lot of the time you'll obscure the truth or embellish it because it seems useful to get a certain reaction out of people, but it's almost never something you owe them. You do and say what you want and refrain from doing or saying that which you don't.
Basically, fuck everybody.
Labels:
childhood,
Edgar Allan Poe,
groups,
identity,
individualism,
listening,
Ruth,
Vincent
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